![]() Seen in 192 countries and over 400 million homes, Cartoon Network inspires the next generation of creators by engaging its audience at the intersection of creativity and technology. debut of “Ben 10”Ĭartoon Network is Turner’s global entertainment brand and the #1 animation network in the U.S., offering the best in original content for kids and families. Support is super-sharp and fixes are made in just hours or days.”Ĭartoon Network uses Cinedeck to deliver shows such as: “Mighty Magiswords”, “Steven Universe”, “Adventure Time”, Clarence”, “Uncle Grandpa”, “We Bare Bears” and the upcoming U.S. When I’ve needed help, the response has been faster than any other manufacturer I’ve ever worked with. Tedford concluded, “The support has been awesome. It has greatly simplified our workflow, helping us to eliminate a lot of headaches and wasted time.” ![]() When asked about tangible benefits Tedford comments, “Not only does Cinedeck save us money in tape stock but it also saves us about 1.5 hours in post for each episode. They just copy the master ‘blacked’ file into their show’s workspace and record into the file.” The editors also love Cinedeck because their new workflow is similar to our previous tape-based workflow. “With Cinedeck, we’re now sending out files for QC and using the Insert Edit feature to quickly ‘punch’ in changes – there’s no more tapes, couriers, re-ingests or re-exports. Whenever we send anything to the Network, including pitch reels, promos and pilots, we use Cinedeck.” We preset the files with all of our usual programming parameters – ProRes 422 HQ with bars, tone, 10-16 audio channels and timeline. “Now, when a show is done, it’s a simple matter of outputting to a master ‘blacked’ file on the Cinedeck. But once I realized it operated just like a tapedeck, I quickly figured it out,” he explains. ![]() “It’s a sophisticated piece of machinery and I admit the UI was a little daunting at first. I got a test unit, hooked-it-up and was able to start working on it right away,” says Tedford. “I heard about Cinedeck and File-based Insert Edit from a colleague and immediately thought it would help us replace our tape workflow. Even using the encoder to make the final file was arduous.” It was a complicated multi-step process that took a long time. Finally, we would render the master from QuickTime Pro or would use an encoder to re-wrap and upload to a watch-folder for delivery to Turner in Atlanta. ![]() Then we would make a QuickTime reference file of the final sequence with all the corrections. If there were issues with the show, we punched in changes to the tape, then re-ingested the tape to the project in Avid. “We were outputting to tape and sending the tape out to a third party for QC. “One of the major hurdles I wanted to eliminate was our HDCAM-SR workflow,” explains Tedford. Everything is edited and finalized in each of our seven Avid edit bays with each editor taking one or more shows from work-print through delivery.” We get back a set of QuickTime files that are rendered as DNxHD 175x, 1080p, 23.98. “Here at CN, all of the pre-production materials originate in Burbank and are sent abroad to be animated. We recently caught up with the Head of Post Production & Editor, Tony Tedford, to see how things were going. Last year Cartoon Network Studios acquired a 2-channel Cinedeck ZX20 to help streamline their on-line & deliverables workflows. START_TIME= `echo $.Cartoon Network Draws a Winner with Cinedeck START_TIMEDATE= `exiftool -api largefilesupport=1 -T -TrackCreateDate " $f " ` REWRAP_PRESET= "/Applications/EditReady.app/Contents/Resources/Rewrap.erpreset " OUTPUT_FOLDER= "/Users/Krish/Movies/EditReady "ĮDITREADY= "/Applications/EditReady.app/Contents/MacOS/EditReady " # TODO for some reason ~ breaks exiftool command 'Įcho "Note: INPUT_FOLDER is non-recursive " # Note: this script currently does not work for files with spaces # exiftool for copying over original track dates and SetFile for setting # Uses ffmpeg for timecode creation EditReady for container cleanup # Timecode generation script for MP4 footage (AVCHD, XAVC-S, etc.)
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